KIORA JOURNAL / DIALOGUE

物件背后的创作者

我们探访创作者珍视的问题,而不是寻找关于创作的标准答案。

Somewhere in Between

In Tomohiro Suzuki’s studio, test pieces sit alongside a thick notebook filled with the results of years of experimentation. He studies the slightest variations in how blue decoration bleeds through an Annande glaze, yet deliberately leaves small stones in raw clay when they add something to the finished surface. His work is not about controlling every detail, but understanding when to intervene—and when to let the material speak for itself. “Somewhere between these two,” he says of two test results. It is in that space, between intention and uncertainty, that Suzuki continues to work.

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What Has Been Known Can No Longer Be Forgotten

Part three of a dialogue with ceramic artist Yuji Muraki, reflecting on mishima ware, place, information, failure, and what changes or remains after forty-five years of making.

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Finding a Voice in Glass

At first, this feels like a story about glass.It slowly becomes something else. A portrait of artist Yuichi Yamazaki, whose work reveals how patience, repetition, and the courage to keep going can shape not only beautiful objects, but a creative life of one’s own.

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Utsuwa Kaede: A Vessel Shop That Reflects the Seasons

In Jingumae, Tokyo, Utsuwa Kaede stands quietly as a vessel shop shaped by season, material, and everyday life. We spoke with owner Ms. Shimada about the meaning behind the name, the changing spaces of the shop, the importance of permanent displays, and the quiet beauty that vessels bring to daily living.

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